Box Studios: Calvin Klein Underwear Push Positive | Retouching/VFX
Project: Calvin Klein Underwear Push Positive
Facility: Box Studios
Date: 9.2012
Role: Retouching/VFX.
Software: Nuke.
Box Studios: Give Me All Your Luvin' - Madonna w/ MIA and Nicki Minaj | Retouching/VFX
Project: Give Me All Your Luvin': Madonna w/ MIA and Nicki Minaj
Facility: Box Studios
Date: 2.2012
Role: Retouching/VFX.
Software: Nuke.
Phosphene: Tower Heist | Paint/Roto
Project: Tower Heist
Facility: Phosphene
Date: 6.2011
Role: Paint/Roto.
Software: Nuke, Photoshop.
Smoke and Mirrors NY: The Sitter | Paint/Roto
Project: The Sitter
Facility: Smoke and Mirrors NY
Date: 5.2011
Role: Paint/Roto.
Software: Nuke, Photoshop.
Eyeball NYC: Amazon Kindle | Tracking/Compositing
Project: Kindle Fire
Facility: Eyeball NYC
Date: 9.2011
Role: Tracking/Compositing.
Software: After Effects, Mocha.
Josh Frankel: Plan of the City | Tracking/Compositing
Project: Plan of the City
Facility: Josh Frankel | My Active Driveway
Date: 2.2011
Role: Camera tracking and compositing.
Software: PFTrack, Nuke, After Effects.
Josh Frankel: Kabar Knives | Compositing
Kabar Knives, D-Day
Kabar Knives, Blizzard
Kabar Knives, Wild Boar
Project: Kabar Knives
Facility: Josh Frankel
Date: 12.2010
Role: Compositing.
Software: Nuke, Photoshop.
Framestore: Bridgestone Hot Item | CG Effects
Project: Bridgestone Hot Item
Facility: Framestore NY
Date: 11.2008
Role: Effects - gravel, rocks.
Notes: The action of the commercial was shot as intended, and then elements were recreated in CG to match the director's intent (e.g. improvements to the moon buggy, zero-gravity motion for rocks and gravel). I was responsible for the particle interaction between the car and the ground: the rocks and gravel. I created the tools for the effect and animated for the shots.
Software: Houdini, Maya, Mental Ray, Shake.
Framestore: GE Crane | CG Effects, Lighting/Compositing
Project: GE Crane
Facility: Framestore NY
Date: 7.2008
Role: Effects - water splashes, sand.
Notes: I was responsible for the interaction between the crane and the ground: the water splashes and sand kicked up as it runs. I created the tools to create the effect, animated, lit, and composited for the shot.
Software: Houdini, Maya, Mental Ray, Shake.
Suzanne Anker: Mote | Compositing
Project: Mote
Facility: Davidsarma.org
Date: 3.2008
Role: VFX Compositing - Creation of a video loop from a still image.
Notes: Still photograph was retouched and masks created in Photoshop, caustics were created in Maya, compositing and animation was done in Fusion. Output to Bluray DVD for gallery display.
